A sports company trains a model to become a pro-golfer with unpredicted results.
Japanese auteur Seijun Suzuki’s unnerving thriller on the dark side of manufactured fame.
In the last decades of his life, director Seijun Suzuki received recognition outside Japan- firstly for his highly stylized action movies, such as Tokyo Drifter (1966) and Branded to Kill (1967). These were among the last programme pictures he would make for Nikkatsu, before they fired him after Branded. Suzuki’s films had become too surreal and incomprehensible for the studio. Suzuki challenged his dismissal by suing Nikkatsu. However, his firing would mean that he made less than a handful of TV movies in the following decade. His only cinematic feature from this period is A Tale of Sorrow and Sadness, produced by Shochiku.
Perhaps as a consequence of this being Suzuki’s return to feature filmmaking, Sorrow is comparatively easy to follow and understand. Suzuki’s trademark use of colour and artistic shots serve the script, rather than the other way around. This results in an intense, unnerving depiction of crazed stalkers, grueling schedules, manipulative management and rampant media.
Read more about A Tale of Sorrow and Sadness (Japan, 1977) …
Flamboyant singer Kenji Sawada playing a reclusive atom bomb-building, junior high school teacher? Bunta Sugawara, famous for his tough Yakuza portrayals, playing a hardboiled cop? Kimiko Ikegami (the pretty one in cult horror classic Hausu (1977)) playing a vacuous radio DJ? A big budget Toho ‘action’ film with art-house elements directed by independent Kazuhiko Hasegawa? An original screenplay written by Leonard Schrader, the brother of Taxi Driver’s screenwriter? Just from its components, it is clear that you are in for no ordinary film with Taiyo wo nusunda otoko!
Main character Makoto Kido is a seemingly lazy, gum-chewing sleepy science teacher. Ridiculed by his students- he is somewhat socially awkward and lonely, living in a small apartment with only his ill-fated cat for company. The script and Sawada’s excellent portrayal gradually reveal snapshots of his true nature to the viewer.
Read more about The Man who Stole the Sun (Japan, 1979) …
……from Professor Spool’s archive
Either end of the 1960s decade saw the release of films both entitled The Damned. The first was located in a contemporary England, the latter set in Nazi Germany. Into the Retroscope will provide you with a review of each film, with this initial article focusing on the earlier movie.
From the opening panoramic shots of the Southern England coastline to the closing sequences of a helicopter hovering over a doomed boat at sea, The Damned (aka These are the Damned) makes effective use of its Weymouth in Dorset seaside location.
Read more about The Damned (UK, 1963) …