A predictably plotted Hammer vampire film with a decadent atmosphere, two former Playboy Playmates and a surprising amount to say about the nature of human evil.
Twins of Evil is the third and final Hammer film to be based (loosely) on Sheridan Le Fanu’s Carmilla. It is a sequel of sorts to the novella- featuring added witchhunters, satanists and of course, vampires and twins.
Mary and Madeleine Collinson star as the titular twins, Maria and Frieda Gellhorn. They travel to the small, misty ‘Central European’ Karstein village to stay with their aunt (Kathleen Byron) and witch-hunting uncle (Peter Cushing). Although the twins’ characters appear to have grown up together, Frieda speaks in foreign accented English, whereas Maria’s accent is closer to Received Pronunciation (both actresses were dubbed). This was probably done to help viewers to tell them apart. Interestingly, foreign accented Frieda is the more adventurous of the two. She soon gets drawn into the mysterious goings-on in the castle above the village.
The other two main characters are Weil (the aforementioned witch hunter) and Count Karstein (Damien Thomas).
Weil is determined to rid the village of satanic elements. Cushing, as usual, takes the role very seriously and portrays a multifaceted character torn between his obligations to God and the Brotherhood and his growing realisation that burning young women at the stake might not be the most effective way to eradicate evil. Cushing steals each scene that he is in- his increasing fear for the safety of his twin nieces is palpable.
Read more about Twins of Evil (UK, 1971) …
As soon as that distinctive theme tune commences… you know you’re in for an hour of enjoyable escapist entertainment!
……from Professor Spool’s archive
Towards the end of the 1960s, Roger Moore was hanging up his halo as Simon Templar, making a lightweight British cinema thriller Crossplot (1969) with his ‘The Saint’ (1962-1969) TV series producer Robert S. Baker – and he was being touted as the next James Bond. Meanwhile, across the Atlantic, Hollywood matinee idol Tony Curtis had been receiving critical acclaim for playing against type as the real life serial killer Albert DeSalvo in The Boston Strangler (1968). Little did either actor probably know at this time that media mogul Lew Grade had plans that would bring them both together in The Persuaders! It would be, in the early seventies, one of the most expensive British TV series.
Read more about The Persuaders! (1971) – An Anglo American Alliance! …
Introducing four of the best British psychological horror films from the early 60s- The Innocents, The Haunting, 80,000 Suspects and Repulsion.
……from Professor Spool’s archive
At Halloween most television and cinema schedules will be dominated by the usual ‘scary suspects’ – Dracula, Frankenstein’s monster, werewolves, Freddie, Jason and maybe even a Mummy. Such horror creations are so readily visible on the screen whether they are steeped in folklore like vampires or based on real life Jack the Ripper type serial killers.
In concentrating on these overt, bloody and often very gruesome depictions, schedulers frequently overlook the primal basis of all horror – fear itself. The very fear that lurks deep in our psyche and that can manifest itself in so many different ways. One such manifestation is that which is unseen – you may be able to sense danger, your sub-conscious may play tricks on you, the sounds you hear may add to the dread and foreboding that occupy your thoughts. What you can’t see can hurt you – it can produce irrational behaviour, questions our very sanity and understanding of what is real or a figment of our fevered imagination.
Let me now recommend four fine celluloid examples that are immersed in the very atmospheric fear I have just described. This quartet of black and white ‘mind-chillers’ were all made in Britain in the early sixties.
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Why do all the passengers from an airline go missing mid-flight? How does a food critic wind up in the middle of a desert after a night at the opera? Why has the ground floor of a stately home, found to contain a mentally handicapped young man and the dead body of a woman, been constructed inside an old warehouse? These are just some of the unsolved mysteries- ranging from the believable to the outright bizarre that British 1960s TV series Department S throws at you in its gripping opening title sequences.
Read more about Department S (1969, UK) …